ceramic, glass, sculpture
medieval
ceramic
figuration
glass
sculpture
ceramic
Dimensions 4 1/8 x 5 1/2 x 2 3/4in. (10.5 x 14 x 7cm)
Curator: Isn't it darling? Editor: Utterly! What have we here? Curator: This is a delightful "Bottle in the form of a Pig" believed to be from the 18th century. You can currently find it here at the Minneapolis Institute of Art. Its creation involves the manipulation of glass. Editor: It has an almost ethereal, whimsical feel to it. That pale pink glass gives it a dreamlike quality, as though it might vanish in a puff of smoke at any moment. It really encapsulates some medieval sentiments in material choices! The proportions are cartoonish but the transparency gives it a preciousness too. Curator: Indeed. Let's consider its form, structurally. The pig is reduced to almost spherical shapes – a large one for the body, a smaller one for the head, supported by slender legs that create a surprising sense of balance. The coiled tail, a simple glass loop, cleverly contrasts with the more detailed modeling of the head. Editor: Yes! That tail feels almost like an afterthought but anchors the composition wonderfully. What function did this form serve I wonder? Was it purely ornamental or… Curator: Presumably for liquids, and intended as an amusing display piece, something perhaps for a wealthy person’s cabinet of curiosities. Though one wonders how practical it truly was, given the fragility of the material. Editor: Maybe the sheer impracticality was part of the point! It elevates a barnyard animal to this rarified level. Like some baroque joke about class. It's unexpectedly thought-provoking given the whimsical presentation. There's this kind of vulnerability inherent in it. Curator: There’s an undeniable tension there. An object straddling utility and pure artistry. The craftsmanship and the careful modulation of the material speak to the artist's mastery. Editor: Looking at this little pig really does encourage you to find symbolism where perhaps there wasn’t initially any! But isn't that often the pleasure in observing art? Thank you for that thoughtful engagement, really wonderful. Curator: The pleasure was all mine.
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