Gröfin Auersperg by Franz Antoine

Gröfin Auersperg 1850s - 1860s

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photography, gelatin-silver-print

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portrait

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photography

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historical photography

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gelatin-silver-print

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19th century

Dimensions 21.8 x 17.2 cm. (8 9/16 x 6 3/4 in.)

Curator: This is Franz Antoine's photograph of Gräfin Auersperg, taken sometime in the 1850s or 60s, a gelatin-silver print capturing a noblewoman in a moment of stillness. Editor: It's like peering into a very elegant, slightly shadowy past. Her dress is so voluminous, it feels like the entire frame is filled with this sense of weighty importance and rich brocade—it's so palpably Victorian! Curator: It is! Think about what the production of that dress meant – the labour of weaving that textile, the complex dying processes...each thread telling a story of global exchange and the specific hierarchies of manufacture. It's tempting to get lost in the pure materialism of it all, you know? Editor: Absolutely. It makes me wonder about her expression—she's composed, but is there a hint of weariness in her eyes? She is, in a way, contained and compressed into the frame, almost as though it is trapping her! Maybe her dress is just that uncomfortable, but...it speaks of a constrained life lived amidst opulence and tradition, I suppose. Or am I just projecting my twenty-first century woes onto a countess from two centuries ago? Curator: Not at all. I think that’s a testament to the enduring power of the portrait, of photography itself— the material capturing of someone's time and space and soul—to allow us to project and question across the ages. This particular medium, gelatin-silver print, its own evolution mirrors a shift in societal structures. Think about how photography changed access to image-making— how the material shifted social perception, not only from who had to get their picture painted but the industrialization behind photographic paper and production itself! Editor: Right— and beyond who and how these portraits were made, and by whom. How does the image act, now that is lives behind the pane, in our modern times? It’s so different from what Antoine ever envisioned when creating this physical object. Curator: A lovely photograph to consider and enjoy! Editor: Indeed, quite thought-provoking!

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