Twee vrouwen in Volendamse klederdracht staand op een dijk by G. Hidderley

Twee vrouwen in Volendamse klederdracht staand op een dijk c. 1900 - 1910

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photography, gelatin-silver-print

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portrait

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wedding photograph

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photo restoration

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dutch-golden-age

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wedding photography

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landscape

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outdoor photograph

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outdoor photo

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archive photography

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photography

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historical photography

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couple photography

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gelatin-silver-print

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monochrome photography

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genre-painting

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celebration photography

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monochrome

Dimensions height 56 mm, width 90 mm

Editor: This is an early gelatin silver print, entitled "Twee vrouwen in Volendamse klederdracht staand op een dijk," placing two women in traditional Volendam clothing on a dike, and it dates roughly from 1900 to 1910. The photograph has a strong feeling of quietness and resolve because of the gray shades. What formal aspects stand out to you the most? Curator: Note first how the composition employs a subtle diagonal, anchored by the figures on the right and extending towards the distant horizon line to the left. This lends a sense of depth. How does this linear strategy inform your interpretation of its structure? Editor: Well, that low diagonal seems to invite your eye to go explore the distant details in the frame... Curator: Exactly. Now, observe how the restricted tonal range, moving between shades of grey, creates an interesting field, thus unifying sky and land, further emphasizing the figures and establishing balance. It is achieved despite the fact the photographer is deploying high-contrast. How is the materiality enhanced through high-contrast? Editor: That contrast sharpens the details of their traditional clothing and emphasizes the texture of the landscape in an interesting way! Also, this brings forward a feeling of being frozen in time... Curator: Yes! Notice how that monochrome aesthetic gives a modern aspect while depicting at the same time a century-old scene. So even if "historical photography" may bring vintage feelings to our mind, those techniques and their display remains, still today, striking. The use of shades contributes to it. Is there anything different you now perceive on the subject itself? Editor: Now that you mention the shades, it definitely enhances the stillness of the piece and how striking it feels, from an era long gone. I never realized how effectively a grayscale image could emphasize form. Thank you! Curator: Indeed, a testament to how technique can transcend mere representation. The image itself speaks using composition and form.

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