Cup by Edward White

Cup c. 1938

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drawing, watercolor

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drawing

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charcoal drawing

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watercolor

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pencil drawing

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watercolour illustration

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watercolor

Dimensions overall: 22.7 x 27.9 cm (8 15/16 x 11 in.) Original IAD Object: 2" High 3" Wide

Curator: I find myself strangely drawn to the intimate scale of this piece. It's called "Cup," dating back to around 1938, crafted using watercolor and drawing techniques by Edward White. What's your first impression? Editor: The initial feeling is quietness, almost fragility. The pastel palette evokes a gentle, domestic scene. This object seems ordinary, yet it's been given a spotlight. I wonder about the cup itself - what does it symbolize for the artist? Curator: Observe the delicate interplay of form and space. The cup is rendered with precise lines, emphasizing its simple geometry. See how White uses light and shadow to create depth, almost isolating the object? The background, devoid of detail, enhances the cup's presence. Editor: The floral motif strikes me as symbolic - a blue blossom alongside smaller red ones and stylized green leaves. It feels very much like a nod to tradition, evoking familiar ideas around comfort and hearth, a certain nostalgia too. Blue flowers often carry connotations of longing or lost love... Curator: From a formal perspective, these organic shapes offer contrast to the geometric simplicity of the cup itself. Notice how the curvature of the floral designs echoes and softens the hard lines of the cup's form. The chromatic restraint—blues, reds, and greens against the neutral cup and background—reinforces balance. Editor: Indeed. The limited color scheme helps distill the essence of everyday life, reflecting the austerity perhaps dictated by the times when it was created. These choices serve to memorialize this small object, suggesting layers of stories linked to domesticity and personal history. What might appear mundane conceals hidden depth. Curator: Yes, its careful arrangement implies more than a still-life exercise. A profound understanding and representation of fundamental forms. I appreciate White's capacity to extract beauty from an unremarkable object using visual tools. Editor: It does offer a fresh perspective. The "Cup," despite its plain title, invites meditation on the personal histories that humble items can embody.

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