Compositie van 25 foto's van personen aan de Keizerlijke Militair-Medische Academie, gecombineerd met decoratie van medische instrumenten by V. Sabel'skij

Compositie van 25 foto's van personen aan de Keizerlijke Militair-Medische Academie, gecombineerd met decoratie van medische instrumenten 1913

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photography, photomontage

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portrait

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photography

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photomontage

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group-portraits

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russian-avant-garde

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academic-art

Dimensions: height 234 mm, width 292 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a really striking image – a photo montage titled "Composition of 25 Photos of People at the Imperial Military Medical Academy," created in 1913 by V. Sabel'skij. What initially grabs me is the layering of these formal portraits with what appear to be medical instruments. It’s got a slightly eerie, detached feeling to it. What’s your take? Curator: It’s more than just eerie, isn't it? Think about the date: 1913. The world on the brink. These faces, these pristine uniforms, juxtaposed with surgical tools...it's a visual premonition, perhaps unintentional, of the carnage to come. The Russian avant-garde often played with these contrasts, innocence and looming dread, in a way that’s both captivating and unsettling. What do you make of the composition itself? It almost feels… deliberately haphazard? Editor: I agree. The placement seems very intentional. It's interesting you bring up the haphazard feel – it clashes with the strict formality of the portraits. So the rigid structure of military hierarchy is playfully disrupted by artistic expression. Curator: Precisely. Sabel’skij isn’t just documenting; he’s commenting. Perhaps critiquing the cold detachment of academia or the military in a changing world. Are the instruments poised to "operate" on the very people in these pictures? To dissect and examine them… or cure? And the choice to use photomontage...almost like creating a new, fragmented reality out of the old order. Editor: So it’s not just about capturing faces, it's about capturing a feeling, or maybe even a fear, on the eve of a great upheaval. Thinking about that date gives the piece so much more depth. Curator: Exactly! The genius is not simply seeing what *is* there, but intuiting what's coming next. And maybe a dash of darkly ironic humour mixed in for good measure? Sabel’skij, bless his perceptive soul! It's not about how things neatly resolve, it's that little question mark hovering like that strange instrument right there above a stern face. Don’t you love when an artwork makes you pause like that? Editor: Definitely changes how I’ll look at photomontages from now on! I will start to notice little hints of looming disasters in everything.

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