Vignet met een wapen met daarop een hert klimmend tegen een vlierboom by Isaac Weissenbruch

Vignet met een wapen met daarop een hert klimmend tegen een vlierboom 1836 - 1912

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graphic-art, print, engraving

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graphic-art

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print

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geometric

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line

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symbolism

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engraving

Dimensions height 48 mm, width 41 mm

Curator: Here we have a print titled "Vignet met een wapen met daarop een hert klimmend tegen een vlierboom" which translates to "Vignette with a coat of arms depicting a deer climbing against an elder tree." The piece is attributed to Isaac Weissenbruch and is believed to have been created sometime between 1836 and 1912. Editor: It has a strikingly antiquated feel to it, almost medieval. The stark lines and heraldic imagery create an interesting mood of old-world dignity, though somewhat simplified. Curator: Indeed, its style leans heavily into symbolism. The very act of creating a coat of arms carries with it social and historical implications related to status and heritage. It speaks volumes about the role imagery plays in defining identity and power within societal structures. Editor: Looking closely at the engraving itself, it’s the details of the technique that stand out to me. The density of the lines gives form to the deer and tree, but in a restricted tonal range. What can you tell me about Weissenbruch’s means of production? Curator: As a graphic artist working in that period, he was likely producing many such heraldic devices for individuals or organizations who wanted to visibly communicate social status. These weren't exactly fine art pieces hanging in galleries. They were functional designs intended to reinforce certain hierarchies. Editor: The contrast between function and artistry here is intriguing. You’ve got a design meant for practical use and symbolic power, painstakingly realized in an enduring medium. One designed to last, and whose existence asserts particular social structures. Curator: Precisely, it also is a cultural artifact providing insights into social history of the late 19th century. Such emblems were integral components in constructing identity, communicating position and aspiration. We gain significant understanding looking at it in that light. Editor: And understanding, too, that even emblems of permanence and position, are here represented with a certain level of accessible charm that transcends rigid formality. It provides us insights into design for daily consumption. Curator: A fine way to put it. This small piece exemplifies perfectly that interplay. Editor: I agree, it is an image which encourages broader engagement.

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