Triton Blowing a Conch Shell c. 1615 - 1617

Adriaen de Vries made this bronze figure of Triton sometime before his death in 1626. The lost wax casting method would have been used to make this sculpture. De Vries would have sculpted the figure in wax, then covered it in clay to create a mold. Molten bronze was poured in, melting the wax and taking its place. After cooling, the mold was broken, revealing the sculpture. The surface of the bronze has a dark brown patina, achieved through the application of chemicals and heat. The creation of bronze sculpture in the Renaissance was a specialized undertaking, typically commissioned by wealthy patrons and executed by highly skilled artisans. De Vries was among the best, achieving fame in his own lifetime. De Vries's Triton demonstrates not only technical mastery, but also a deep understanding of the cultural and social significance of his materials and methods. It challenges us to look beyond traditional distinctions between art and craft.