Christ Appearing to his Mother, from Speculum passionis domini nostri Ihesu Christi by Hans Schäufelein

Christ Appearing to his Mother, from Speculum passionis domini nostri Ihesu Christi 1507

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drawing, print, woodcut

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portrait

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drawing

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print

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figuration

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woodcut

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history-painting

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northern-renaissance

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christ

Dimensions Sheet: 9 1/2 × 6 1/2 in. (24.1 × 16.5 cm)

Editor: Here we have Hans Schäufelein's "Christ Appearing to his Mother," a woodcut print from 1507. It strikes me as quite theatrical; the composition almost feels like a stage with the figures posed dramatically. What symbols or historical references stand out to you in this piece? Curator: The emotional weight carried within this seemingly simple woodcut resides in the deeply entrenched iconography. The image speaks volumes to cultural memory and continuity, particularly regarding familial and spiritual devotion. Note the stark contrast between the risen Christ, bearing the standard of victory, and the Virgin's posture— a mix of disbelief and overwhelming joy, rendered so tenderly. Consider the weight of that banner Christ holds—a visual representation of triumph over death itself. How might the 16th-century viewer have understood these symbols, already steeped in centuries of tradition? Editor: It's interesting to think about the contemporary understanding of these now historical symbols. The banner especially; it feels heavy with meaning that may be lost today. Curator: Precisely. And beyond the blatant symbols, consider the subtler cues. The enclosed space, her chamber, represents intimacy, privacy— heightening the personal nature of this divine encounter. Even the direction of Christ’s gaze, and the positioning of his hand, carries a specific weight. Do you sense a narrative unfolding through these gestures? Editor: Definitely, the eye is immediately drawn to Christ's pointing finger, almost like he's emphasizing the truth of his resurrection. It adds a sense of immediacy to the scene. Curator: That immediate connection to the divine, and the Virgin’s place as mediator… it's all meticulously constructed through visual cues that tap into deeply held cultural beliefs. It makes you wonder about the image's role in shaping individual piety and collective memory, doesn't it? Editor: Absolutely. It makes me think about how symbols evolve and lose their original significance over time. This woodcut provides a fascinating window into a specific historical and cultural context. Curator: Indeed. The visual language embedded here reminds us that images aren't merely reflections; they actively participate in constructing our understanding of faith and history.

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