Untitled [nude reclining in studio] 1955 - 1967

Richard Diebenkorn's "Untitled [nude reclining in studio]" from 1955-1967 is a minimalist ink drawing that captures the essence of the human form through a simplified outline. The work demonstrates Diebenkorn's exploration of figuration, a common theme in his early career, and the use of line to convey both volume and movement. Though abstract in its execution, the drawing retains a sense of realism, referencing a specific pose and location, possibly within the artist's studio. The single, continuous line that defines the figure's body suggests a sense of immediacy and spontaneity, capturing the fleeting gesture of the model. This drawing is a quintessential example of Diebenkorn's early work, which bridged the gap between abstraction and figuration.