Studies van een hond 1821 - 1890

Guillaume Anne van der Brugghen made this artwork called ‘Studies van een hond’ with graphite, black chalk, and white chalk. As we gaze at the poised stance of the central dog, we're invited to consider the cultural status it occupies. In the 19th century, portrayals of animals, particularly domestic companions, reflected the values of the burgeoning middle class, and their sentimental relationship with nature. It suggests ideas of loyalty and companionship, attributes often cherished by those in positions of power. Notice the other fainter studies. The choice to sketch various poses evokes a sense of movement and life, contrasting with the static, formal portraits of the era. Here we see the blending of objective study with subjective appreciation, revealing the animal not merely as a subject, but as a being of intrinsic value. It is an intimate glimpse into the artist's process, a study of form that humanizes our relationship to the animal kingdom.