Faith c. 16th century

Curator: This print, titled "Faith," is by an anonymous artist and part of the Harvard Art Museums collection. Editor: It strikes me as surprisingly grounded for a concept like faith. The textures of the sheep's wool and the woman's drapery are very present. Curator: Indeed. The female figure, likely an allegorical representation of faith, holds a book and a staff, symbols of knowledge and guidance, while a lamb at her feet signifies innocence and sacrifice. Editor: I'm interested in the material realities of faith represented here. The etching process itself, the labor involved in creating the lines and textures, mirrors the work required for belief. Curator: The print reflects the socio-political power dynamics of its time. The artist uses established visual tropes to reinforce dominant ideologies surrounding faith and gender. Editor: And considering its creation, the paper, ink, and tools involved all point to networks of production and consumption that shaped its meaning. Curator: It's intriguing how faith, often seen as abstract, is given concrete form through artistic labor and representation. Editor: Exactly, a convergence of the intangible and very tangible.