Private George Ruoss, Co. G, 7th New York Volunteers 1865 - 1866
photography, gelatin-silver-print
portrait
print photography
war
photography
historical photography
gelatin-silver-print
history-painting
Dimensions Image: 16.6 × 21.7 cm (6 9/16 × 8 9/16 in.) Sheet: 19.3 × 24.2 cm (7 5/8 × 9 1/2 in.) Mount: 27.7 × 35.4 cm (10 7/8 × 13 15/16 in.)
Curator: Reed Brockway Bontecou's gelatin-silver print, "Private George Ruoss, Co. G, 7th New York Volunteers," dated between 1865 and 1866, offers a stark portrayal from the American Civil War. Editor: The composition immediately strikes me. It's a very intimate, almost intrusive view. There's a haunting quality, like stepping into a silent aftermath. Curator: Bontecou, a surgeon, documented injuries for medical purposes, transforming the clinical into something profoundly moving. We should consider this as both scientific record and artistic commentary on the toll of conflict. Editor: Absolutely. You can almost feel the rough texture of the bedding, see the subtle shadows emphasizing the wounded limb. It is brutally direct in its honesty. Does knowing it served a clinical purpose change how we perceive it? I wonder. Curator: I'd argue it enriches our understanding. This wasn't art for art's sake, but a tool within a system, documenting the brutal realities of war alongside the medical interventions of the time. The very material conditions of making the work contribute to our understanding of its meaning. How and why it was made becomes a critical element. Editor: The gaze drifts over details… his hair disheveled on the pillow, the seemingly ordinary blanket...these anchor him to a palpable reality and somehow magnify his suffering. Curator: And let’s note the technology – gelatin-silver prints allowed for relatively quick and inexpensive reproduction compared to earlier photographic processes. The accessibility of these images likely shaped public perception and memory of the war. The print media enabled distribution and potential engagement. Editor: A somber, reflective piece... more about memory and consequence than glory. The focus of that vulnerable outstretched limb... powerful! Curator: Agreed, by framing Ruoss's suffering, Bontecou unintentionally—or perhaps intentionally—made an indelible contribution to the visual history of war and medicine. The work gives lasting presence to the realities soldiers faced.
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