La Ville. 

Fernand Léger’s “La Ville” presents an urban landscape constructed from primary colors and bold geometric forms. The composition is dynamic, with circles, rectangles, and linear elements interlocking to create a sense of mechanical energy. The black outlines accentuate each shape, giving the image a graphic quality reminiscent of early modernist posters. Léger sought to capture the essence of modern life by distilling it to its basic components. Note how the hard edges and flat planes reject traditional perspective, instead emphasizing the two-dimensionality of the canvas. This echoes Léger’s belief that art should reflect the industrial age, where machines and architecture redefine human experience. The semiotic interplay of these shapes suggests a city’s underlying order, using a visual language of signs. Ultimately, the formal structure of "La Ville" functions as an exploration of how we perceive and interact with our environment, demonstrating that even abstract forms can convey the complex experience of modern urban existence.