Ridin’ High 1941

Editor: We’re looking at "Ridin' High," an oil painting by Rolf Armstrong from 1941. It features a woman in western attire, playfully waving a cowboy hat. She looks so carefree, like she's embodying the spirit of the West. What strikes you most about it? Curator: The enduring symbol of the cowgirl is compelling here. It taps into a deep-seated cultural memory, recalling ideals of independence, strength, and a certain rebellious spirit that permeated American iconography. Notice how the hat is held aloft – it is not just an accessory but almost a trophy. What victories, do you think, does she celebrate? Editor: That’s interesting. I hadn’t thought about the hat as a symbol of victory, but more as a gesture of greeting. Curator: And that reading also resonates! Consider the open range. For a population suddenly living in tighter urban centers, the visual symbols become imbued with hope, not just memory. Armstrong cleverly captures that dichotomy: this woman appears both celebratory *and* welcoming. Notice the carefully placed yellow kerchief at her neck—another pop of joy in contrast to the monochrome plains that occupy cultural memory. Editor: It makes sense that she’s a symbol of optimism. The colors are bright and happy. Is there a specific historical event that might have shaped its symbolism, painted in 1941 as it was? Curator: Indeed! Consider the looming context of World War II. Images of strong, optimistic Americans became even more potent, acting as visual talismans against uncertainty and fear. Her “riding high” becomes not just about physical elevation but a metaphorical promise of resilience. Editor: I’ve never thought about pinups like this, embodying resistance to historical fears. Curator: That’s precisely what art does, isn’t it? Holds a mirror to ourselves, reflecting our fears and hopes back at us through symbols that transcend time. This simple cowgirl holds volumes about us.