Bearded man's head in three-quarter profile to the left by Martin Schongauer

Bearded man's head in three-quarter profile to the left 1450 - 1491

0:00
0:00

drawing, print, dry-media, graphite, engraving

# 

portrait

# 

drawing

# 

print

# 

charcoal drawing

# 

dry-media

# 

graphite

# 

portrait drawing

# 

northern-renaissance

# 

engraving

Dimensions: 142 mm (height) x 86 mm (width) (bladmaal)

Curator: I’m immediately drawn to the detail, it's absolutely captivating, all those tiny lines coming together to create this really soulful presence. Almost has the weight of a much larger painting! Editor: It’s definitely arresting. What we’re looking at is "Bearded man's head in three-quarter profile to the left" by Martin Schongauer, created sometime between 1450 and 1491. It's currently held at the SMK, the National Gallery of Denmark. What I find fascinating is its intersection of the sacred and the secular in the late medieval period, before the Reformation really took hold. Curator: Oh, interesting. It's like, I see the lines almost dancing. He's captured so much, this man looks wise but troubled, a touch world-weary, wouldn't you say? I keep thinking, what stories those eyes could tell! Editor: Exactly! The engraving allows for such incredible texture, that intricate network of lines not only defines form but also communicates his psychological state, it almost suggests layers of history etched onto his very being. We can easily think of larger histories here—oppression, societal upheaval. How did the structures around this man shape him? Curator: Absolutely! He has a serious beard... that feels rather symbolic doesn't it? It almost looks like swirling thoughts. Editor: In a way, the beard is emblematic of masculinity. In the time that Schongauer made the portrait, powerful leaders wore similar beards—a marker of wisdom, authority, even virility. Now I'm wondering about how we receive these kinds of gendered symbols today. How do they hold up? Do we want to hold on to them? Curator: Ah, now I am seeing him differently. Looking at it from a new angle. It’s really amazing how an image from so long ago can still spark such lively conversations, such thoughtful considerations. Editor: Exactly. Art allows us this. It offers entryways into these conversations and lets us explore them from new perspectives. Thanks for walking me through the dance of the lines! Curator: Thank YOU for walking me through history! It always brings new depth to the creative experience, so necessary.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.