Mr. Robertson, Sub-Editor of "The Witness" c. 1843 - 1844
print, daguerreotype, paper, photography
portrait
print photography
16_19th-century
daguerreotype
paper
photography
romanticism
history-painting
Dimensions 28.6 × 22.6 cm (image/paper); 50.9 × 39.2 cm (mount)
This calotype photograph captures Mr. Robertson, sub-editor of "The Witness," with arms crossed and head bowed. The crossed arms, a gesture as old as humanity itself, speaks volumes. Think of ancient sculptures of mourning figures, their arms similarly clasped in grief or contemplation. This posture has traversed millennia, from pharaohs in sarcophagi to modern-day portraits. It symbolizes introspection, resolve, or even defiance. Here, the gesture is not merely a physical stance; it's a window into Robertson's inner world. The gesture may convey a myriad of emotions and attitudes: defensiveness, pensiveness, weariness. The stance has evolved, shifting in meaning across cultures. Observe the psychological weight it carries, engaging viewers on a subconscious level. Consider how collective memory shapes the interpretation, and how this symbol has resurfaced, evolved, and taken on new meanings.
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