Candlestick c. 1937

Beulah Bradleigh made this picture of two candlesticks with paint on paper, we don't know exactly when. It’s fascinating how the slight variations in tone give the impression of light reflecting off a metallic surface. Looking at the way she’s built up these candlesticks, you can almost feel the process of her hand moving across the page. The shadows aren’t harsh, more like gentle suggestions that give form to these objects. There's a sensitivity in the way she handles the paint, it’s neither overworked nor too casual. The bases of the candlesticks have these subtle lines that curve around, creating a sense of depth. You can see the slight imperfections, the little wobbles and inconsistencies that give the piece its charm. Bradleigh’s work reminds me a little of Giorgio Morandi, who also spent his life painting simple, everyday objects. Both artists invite us to slow down and notice the quiet beauty in the things that surround us. It's about seeing, really seeing, not just glancing.