At Miss Ahrenheim's Wedding, from the Snapshots from "Puck" series (N128) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco by W. Duke, Sons & Co.

At Miss Ahrenheim's Wedding, from the Snapshots from "Puck" series (N128) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco 1888

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drawing, lithograph, print

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drawing

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art-nouveau

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narrative-art

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lithograph

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print

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caricature

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historical fashion

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genre-painting

Dimensions Sheet: 2 1/2 × 4 3/16 in. (6.4 × 10.6 cm)

Editor: Here we have "At Miss Ahrenheim's Wedding," a lithograph printed around 1888 by W. Duke, Sons & Co. I’m immediately struck by the rather… unflattering depictions of the wedding guests. There’s almost a sense of theatrical caricature. How should we interpret the presentation of the figures? Curator: Well, darlings, what isn't unflattering these days? But observe closer—this isn't some random gag, this is barbed satire, sharper than your grandma’s wit after too much sherry. It was made as a promotional item for Honest Long Cut Tobacco, initially published in "Puck" magazine, which skewered social issues. It looks as though these were German immigrants, newly arrived, perhaps…making them a subject of fun, which isn’t quite as jovial today as I would expect. It’s really a sly observation of cultural tensions wrapped in finery. The way the figures are grouped feels like they’re staging a play! Editor: A play within a print? Interesting. The details of the historical fashions of the wedding party are still distinct, as if in period costume...But then again, I do notice the writing over them… Something about dropping acid onto the ring. Was that how the people would test whether a ring was real? Or could this possibly be interpreted as testing if love is real? Curator: You delightful sponge! You're getting it. Yes, precisely! Acid as in, "does this ring sparkle *real* gold or fool’s gold". But remember, art often layers meanings; the caption suggests the underlying scrutiny these new Americans face—their values questioned, like that wedding ring. What price true love and family unity in a new society where they can be reduced to caricature and suspicion? The print wants to give us much more than a scene – it's an uncomfortable but necessary reflection, in some ways, what would become and shape America. Editor: That makes perfect sense! Thanks so much for pointing those elements out – it certainly brings new clarity to this print! Curator: My dear, clarity is everything! Art is about more than just what’s hanging pretty on the wall. Now, let’s find more skeletons in the artistic closet, shall we?

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