William E. "Will" Fuller, Catcher, Milwaukee, from the Old Judge series (N172) for Old Judge Cigarettes by Goodwin & Company

William E. "Will" Fuller, Catcher, Milwaukee, from the Old Judge series (N172) for Old Judge Cigarettes 1888

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print, photography, gelatin-silver-print

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portrait

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print photography

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print

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impressionism

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photography

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historical photography

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gelatin-silver-print

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19th century

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men

Dimensions: sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm)

Copyright: Public Domain

Curator: Here we have an interesting specimen, a gelatin silver print dating back to 1888. It’s titled "William E. 'Will' Fuller, Catcher, Milwaukee, from the Old Judge series (N172) for Old Judge Cigarettes," attributed to Goodwin & Company. Editor: Immediately, I am struck by the muted tones and the inherent nostalgia. It evokes a sense of faded glory, of simpler times. There's a distinct visual poetry in its sepia-toned presentation. Curator: The composition adheres to a relatively straightforward structure, one could even argue a classic pose. The figure of Fuller is centrally placed, allowing a focus on the symmetry within the uniform and the spatial arrangement of limbs. We might even see a nascent semiotic attempt here—using visual presentation for purposes beyond straightforward depiction. Editor: The visual elements, the baseball, the glove, even the stance, these aren't merely components of a picture, they carry the cultural weight of the burgeoning baseball era, acting as symbols for athleticism and a specific, developing, American identity. Curator: The limited tonal range restricts dynamic interpretation. Notice how the texture is relatively uniform; thus we are pointed toward the formal relationship between solid and void as being structurally paramount. Editor: But that visual austerity allows the iconic elements to emerge more forcefully. A lone ballplayer in uniform becomes representative of something greater. A kind of everyman, and I find the effect quite arresting in that regard. He embodies a past vision of athletic endeavor and a simpler American self-image. Curator: Indeed, the picture's impact arises largely from the compositional choices; it speaks about geometry as a formal solution. Editor: It speaks more than this; the image provides access to specific moments in cultural memory. Curator: Perhaps; in either regard, the image retains its value as an aesthetic exercise in structure, contrast and form. Editor: I’m left pondering the mythic qualities of the baseball player, frozen in this ghostly tableau.

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