Portret van John Ogilby 1659 - 1704

Paul van Somer the Younger made this portrait of John Ogilby using mezzotint, a printmaking technique developed in the 17th century. It relies on a copper plate that is methodically roughened, then selectively burnished to create an image. Consider the sheer labor involved in creating such a plate. First, using a tool called a rocker, the entire surface is covered with tiny burrs. If printed at this stage, it would create a solid black field. The printmaker then uses scrapers and burnishers to selectively smooth areas, creating lighter tones. The velvety blacks and smooth gradations of tone are characteristic of mezzotint. The technique allowed for the relatively easy reproduction of images, catering to a growing market for art. This print not only immortalizes its sitter, but also exemplifies the sophisticated craftsmanship that fueled the early modern art market, blurring the lines between art, craft, and commerce.