Tile painting depicting Bahram Gur and Fitna (“Practice Makes Perfect”) c. 1625 - 1650
tempera, painting, ceramic
tempera
painting
landscape
ceramic
figuration
geometric pattern
tile art
geometric
islamic-art
genre-painting
Dimensions: 35 1/8 x 26 5/8 in. (89.2 x 67.6 cm)
Copyright: Public Domain
This tile painting depicting Bahram Gur and Fitna was made anonymously, with what appears to be tin-glazed earthenware, also known as faience. The individual tiles have been carefully assembled to create a complete image, showcasing the inherent qualities of the ceramic material. The smooth, flat surface of the tiles allows for intricate details, while the vibrant colors add richness. The glossy glaze gives depth, enhancing the luminosity of the painting. The process of creating this tile painting is complex, involving shaping the clay, applying the glaze, and firing the tiles in a kiln. The process would have required skilled craftsmanship, following traditions of ceramics and painting. This work highlights the importance of skilled labor and craftsmanship. The careful application of glaze and the detailed painting demonstrate a deep understanding of materials and techniques. This approach challenges the traditional hierarchy between fine art and craft, emphasizing the skill and artistry involved in ceramic production. By appreciating the material and the labor involved, we gain a deeper understanding of its cultural and social significance.
Comments
This tile painting—which would have once decorated the interior of a great Isfahan palace—illustrates an episode in the love story of King Bahram Gur (r. 420–38 CE) and Fitna, an enslaved girl from western China. While the two are out hunting wild donkeys, Fitna challenges Bahram Gur to pin a donkey’s foot to its ear with an arrow. Upon his success, Fitna attributes his achievement to practice, as opposed to the innate skill befitting a great king. This enrages Bahram Gur, who orders a noble to execute her. Instead, Fitna convinces her would-be executioner to house her at his palace, where she builds her strength by carrying a calf up and down a 60-step garden pavilion every day, for six years. Fitna is depicted here carrying a fully grown bull as Bahram Gur happens upon her and is amazed at her feat. Fitna reiterates the importance of cultivating skill through practice. The King finally admits she is right, and the two live happily ever after.
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