Street scenes newly pubished by Katsushika Hokusai

Street scenes newly pubished 

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katsushikahokusai

Guimet Museum, Paris, France

print, woodblock-print

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print

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asian-art

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ukiyo-e

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woodblock-print

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genre-painting

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street

Curator: This print, entitled “Street Scenes Newly Published,” presents an animated slice of life, rendered in the Ukiyo-e style. It’s from the prolific hand of Katsushika Hokusai, though dating it precisely is a challenge; his career spanned decades of artistic evolution. Editor: My first thought is... what a glorious, joyful mess! It's got such energy. Your eye just bounces around all these little vignettes. What is even happening in some of these? I love the puppies playing. Curator: Ukiyo-e, often called "pictures of the floating world," captured everyday life and leisure in Japan, from around the 17th through 19th centuries. Prints like this circulated widely. The woodblock print process meant art became more accessible to people from different classes, fostering cultural connection. What scenes particularly catch your eye? Editor: Definitely the central group of people operating what looks like a… gigantic rice pounder? It’s visually striking. The exaggerated gestures of the worker bending to his task, framed against those stacked rice sacks is intriguing. He looks exhausted and committed. And then, juxtaposed right next to that intensity, you’ve got some ladies in kimono and their children enjoying a quiet moment. I mean what are we to make of that? Curator: Exactly. The rooster in the lower left, scratching for food, adds another layer, doesn’t it? Animals are so fascinating in genre scenes because they serve as shorthand for vitality. Think of the medieval bestiaries. But more than just adding a sense of place and time, the inclusion of these different groups speaks to broader social themes. The contrast between labor and leisure, for instance. We see similar themes across other paintings across continents. Editor: And is that a man in a miniature hand-pulled cart, lower right? It looks comical. It has such whimsy but he looks positively glum as he toils. Curator: The piece really rewards careful observation, inviting the viewer to create their own narrative. That cart, too, speaks to forms of transport of the time. And note how the architecture is almost another character in the piece – defining the spaces where life plays out. Editor: Absolutely, the architecture really contains the chaos of all the life Hokusai captures. I appreciate that. Curator: Indeed, Hokusai encapsulates not just a street, but a moment, preserved. Editor: What a great image to unpack today! I'll definitely walk away from this piece of art pondering and inspired by it, thank you.

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