Emotions, Indifference 

Editor: Looking at "Emotions, Indifference" by Erté, a real feeling of aloofness comes across. The almost architectural form of the figure contrasts sharply with the dynamic duo supporting her. What do you see when you consider this piece? Curator: The piece encapsulates the decorative art aesthetic with clear Art Deco and Symbolist influences. Consider the social context. The 1920s and 30s saw changing roles for women, often depicted as powerful figures but sometimes at a cost. Do you notice how the two figures support her but remain unseen? It's an interesting power dynamic isn't it. Editor: It really is! It’s like they're part of the decoration. So, the 'Indifference' in the title refers to her stance on their support? Curator: Perhaps. It also challenges us to think about what art should do: should it be accessible and inviting, or enigmatic and thought-provoking? In this era, artists played with making statements through form and symbolism, shaping public opinion in their own way. The artist himself being Romain de Tirtoff is a cultural commentary in its own right as he adapted the name Erté as an escape. Editor: That's fascinating. It completely changes my understanding. I initially saw only the image itself. Curator: Art lives within history and has meaning far beyond the aesthetic level. Considering its era enriches our understanding of the political message it conveys through style and presentation. Editor: I never thought about that period and these social undercurrents playing such a significant role in art. Thanks so much. Curator: And thank you. Seeing familiar artworks through new perspectives helps to appreciate their place in time and enduring appeal even more.