Portrait of a Woman, probably Maria Schuurman (1575-1621) by Anonymous

Portrait of a Woman, probably Maria Schuurman (1575-1621) c. 1599 - 1600

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painting, oil-paint

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portrait

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facial expression reference

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character portrait

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portrait image

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painting

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oil-paint

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11_renaissance

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portrait reference

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portrait head and shoulder

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facial portrait

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northern-renaissance

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academic-art

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portrait art

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fine art portrait

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realism

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celebrity portrait

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digital portrait

Dimensions support height 114 cm, support width 83.5 cm, outer size depth 4.5 cm

Editor: Here we have "Portrait of a Woman, probably Maria Schuurman" painted around 1599-1600 by an anonymous artist. It's an oil painting and strikes me as incredibly reserved, almost stoic. That massive ruff collar definitely makes a statement. What do you see in this piece, something perhaps that I'm missing? Curator: Oh, my dear, there's a universe tucked away in every fold of that gown! Forget the ruff for a moment, although it's screaming "status." Look at the light catching those tiny gold threads on her sleeves. Can you almost *feel* the hours someone labored, embroidering those intricate details? And then, shift your gaze to her hands. See the way she's almost nervously clutching the cloth? Editor: I hadn't really noticed that detail. The gold detailing is opulent, but she seems ill at ease. Curator: Exactly! Think about the expectations on women of that era. Beauty, piety, obedience. Her clothing proclaims her family’s wealth and status, but her eyes, what are they saying? Is there a hint of sadness? A longing for something more than societal constraints? Editor: So you think the portrait is subtly revealing her inner feelings despite the conventions? Curator: Art often whispers secrets that history books shout. Portraits weren't just snapshots; they were carefully constructed narratives. It makes you wonder, doesn't it? What stories lie hidden beneath those layers of oil paint and societal expectations? Editor: It does indeed. I initially saw a formal, almost cold depiction, but now I notice a more intimate story. Curator: Art is a conversation, isn't it? We bring our own perspectives, our own experiences. I think we've only just scratched the surface of Maria Schuurman's story.

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