Sauceboat 1759 - 1760

Editor: This gleaming silver sauceboat, dating from around 1759, has such a lovely, curvaceous form. The sculpted feet are precious, and there's an elegant simplicity to its lines, despite the baroque style. How should we approach interpreting this object? Curator: Let us consider the construction. The sinuous curves are the most apparent attribute. Do these forms carry weight or is their visual lightness contradicted by the density of the silver? Consider, too, the fluted rim: how does the linear detail there interact with the broader curvature of the body? Editor: That's interesting! The rim, made of repeated, protruding bands, gives the edge some relief, setting it off against the simple expanse of the smooth interior, I guess the light reflecting from these myriad curves create interest at different angles? Curator: Precisely. Observe the handle's form and location in relation to the feet; a triangle is there a conscious geometric play for your senses? Is there any sense of implied motion contained within the boat, like water running from its open ‘beak’? And do the legs detract from its usability? Editor: I see, it seems that every angle provides both purpose and pleasing symmetry to its aesthetic composition! It feels less like something to pour gravy out of, and more like pure sculpture. Curator: Precisely. Consider its existence divorced of purpose - How does the treatment of material change what an object means to its viewers? Editor: That's really made me think about everyday objects as potential works of art, and the intentions behind the forms chosen by the silversmith!