Slip cup by Judah R. Teaney

Slip cup 1824 - 1827

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ceramic, earthenware

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ceramic

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earthenware

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stoneware

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ceramic

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united-states

Dimensions: 2 3/8 x 4 1/4 x 3 1/4 in. (6 x 10.8 x 8.3 cm)

Copyright: Public Domain

Curator: This earthenware slip cup was crafted by Judah R. Teaney sometime between 1824 and 1827, here in the United States. I’m struck immediately by the dark, almost mottled glaze. Editor: It has a ruggedness to it, almost accidental. You see the traces of the making process right on the surface—the drips, the textures. Is that intentional, do you think? Curator: Incredibly so. Slipware, as a technique, lends itself to that very raw, immediate expression. Notice the repeated patterns created using slip trailing. Those motifs weren’t designed for elite consumers but more of the wider population who appreciate handmade objects in everyday settings. It is as functional object meant to enhance ordinary activities. Editor: So, it’s less about individual artistry and more about the community engagement? Where would something like this be used? Curator: Exactly! Objects like these, typically made of ceramic, were used at communal tables, family settings in order to celebrate collectivity. So the purpose dictates much of the design. Think about the labor of production— the accessibility of clay as a medium versus, say, precious metals or imported porcelain. Editor: You’re right, there's something democratic about the materials and the technique. The decorations remind me how crucial of handmade items have long existed among domestic rituals. And how it also elevates the significance of utility. It reminds the world how much art serves a community purpose rather than just serving an elitist one. Curator: Precisely! And looking at it from the gallery’s perspective, its display today further amplifies its cultural importance. We position it within a lineage of American craftsmanship and folk art, revealing narratives around American identity. Editor: Absolutely. Reflecting on it, it feels like it reveals about who are making rather than what is being consumed. This slip cup prompts questions about cultural memory and social connection rather than aesthetic skill of just one individual, which, is always valuable.

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