View of Windsor from the River by Alfred Gomersal Vickers

View of Windsor from the River c. 19th century

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drawing, plein-air, watercolor

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drawing

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plein-air

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landscape

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watercolor

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coloured pencil

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romanticism

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cityscape

Dimensions: 5 11/16 x 9 13/16 in. (14.45 x 24.92 cm) (image)

Copyright: Public Domain

Editor: Here we have Alfred Gomersal Vickers' "View of Windsor from the River", likely from sometime in the 19th century. The medium is watercolor, which gives the whole piece a soft, dreamy quality. It strikes me as very picturesque, but in a slightly detached way, almost as if viewing a scene from a distance. What do you make of this piece? Curator: It’s a seemingly tranquil scene, isn’t it? But let’s think about the historical context. In the 19th century, landscape painting served not just as aesthetic pleasure but also as a statement of national identity and pride. Vickers is presenting Windsor Castle, a potent symbol of British power, but through a very particular lens. Notice how he emphasizes the castle’s visual dominance within this riverside community. Why showcase this specific vista in this moment? Editor: Well, it definitely reinforces the grandeur of Windsor. It's not just a building, but a representation of something larger. Almost propaganda, in a way? Curator: Exactly. And consider how landscape paintings were often commissioned by the wealthy and powerful, including the monarchy, which is displayed. So Vickers' artistic choices – the atmospheric perspective, the composition itself – speak to the power dynamics at play within artistic production. He chooses to render the Castle so majestic, it feels intentionally placed. How does that understanding affect your reading of the artwork? Editor: I see. Now I look at the lone figure on the riverbank. I considered it merely compositional balance. Knowing what you’ve just explained, their small stature may reinforce the might of the Windsor Castle by emphasizing a hierarchical structure, right? Curator: Precisely! So, by appreciating this "View of Windsor," we are not just observing its beauty; we're deciphering the values and societal structures embedded within the artwork, and the historical moment that allowed for the visuality to be widely available. Editor: It’s fascinating to consider the cultural narratives that are contained within something as seemingly simple as a landscape. Curator: Indeed. Every artistic choice carries social weight, contributing to the painting's lasting relevance within both the art world, and wider political discourse.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Today’s fans of Royal gossip will immediately recognize this as Windsor Castle and may think of it as a marvelous example of Gothic fortification. However, when Alfred Vickers painted this watercolor, the castle was a recently rebuilt and expanded fantasyland ordered by King George IV from architect Jeffry Wyatville. The large round tower and many of the subsidiary towers were heightened. Whether it was a restoration or a ruination is a matter of opinion. In any case, the project ran more than 200% over budget. Alfred Vickers specialized in painting landscapes. In the mid-1830s, his career was on the upswing, but he died at age 26. Neither the artist nor the King survived to see the Windsor project completed.

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