Le Trieux 

Editor: So, this is “Le Trieux,” by Paul Signac. The listing mentions it's possibly watercolor or a print made with colored pencil. There's something wonderfully serene about the overall composition – the way the boats sit so still in the water. What do you see when you look at this piece? Curator: Primarily, I am drawn to the formal structure of the work. Observe the artist's calculated application of color. The individual strokes create a vibrant surface tension. There is the juxtaposition of vertical masts against the horizontal plane of the water which contributes to the dynamic visual experience, wouldn't you agree? Editor: Absolutely! It almost feels like a carefully constructed mosaic of color, especially in the reflections on the water. The colors create such depth. What effect does the medium choice create? Curator: Notice how Signac doesn't blend the colors smoothly, leaving instead the evidence of each individual stroke? This is crucial to understanding the artist's method, to create the optical mixing of color for the viewer, to give that sensation of light. What impression does the density and weight of line communicate? Editor: It seems the loose application and delicate, thin lines give it a dreamlike feeling. The way you broke it down helps make sense of it! I see how it's very controlled and calculated in some areas. Curator: Precisely. The composition, seemingly effortless, is in fact, a rigorous exercise in chromatic and structural arrangement. Every mark serves a purpose. Editor: Thanks, I've really enjoyed digging deeper into how shape and color impact my experience of a work. Curator: A worthwhile experience indeed; seeing the way structure enhances form gives one deeper insight into all forms of art.