Christus verdrijft de handelaren uit de tempel 1670 - 1682

Curator: Here we have Melchior Küsel’s engraving, "Christus verdrijft de handelaren uit de tempel," dating from 1670 to 1682. The print, an intaglio on aged paper, resides in the Rijksmuseum collection. Editor: The scene is incredibly dynamic, with figures scattered chaotically across a detailed architectural space. The scale of the building overwhelms the figures, adding to the drama. What strikes you most about the visual elements? Curator: Observe how Küsel uses line to create depth and texture. The architectural framework is rendered with precision, directing the viewer's gaze, note the use of parallel hatching, it defines form and shadows in the chaotic foreground action, does it strike you that the foreground action enhances the perceived depth and volume of the depicted temple, how? Editor: Yes, the contrast really brings the foreground forward and makes the temple feel immense and deep! How does the composition contribute to the story being told? Curator: The composition establishes a clear visual hierarchy. Christ, though small, is centrally located, his figure a vortex around which the expulsion revolves. Ask yourself how the lines converge on him, does it affect your interpretation? Editor: It really emphasizes his role, despite his size. Everything seems to radiate from him. Curator: Precisely. And consider the emotional weight conveyed solely through line and form. What feelings do the jagged, broken lines evoke in contrast to the smooth arches in the background? Editor: Disruption, definitely. The architectural grandeur feels almost violated by the chaotic lines in the foreground. Curator: An astute observation. The contrast underscores the corruption of the temple versus its intended sanctity. The materiality and style are essential in carrying this image, it's not just about the religious meaning. Editor: I hadn’t considered it that way, focusing on the formal aspects clarifies the message! Thank you.