Haardscherm van palissander- en violethout, gedeeltelijk verguld, ingelegd met lapis lazuli en bekleed met geel Jaquard-weefsel. 1899

This is Theo Nieuwenhuis's ‘Fire Screen,’ crafted from palissander and violet wood, partially gilded, inlaid with lapis lazuli, and lined with yellow Jacquard weave. The screen’s structure is defined by its rectilinear form, yet softened by intricate, organic carvings along its edges. Note how the dark, rich wood provides a strong contrast to the luminous yellow fabric at the centre. The fabric itself features a repeating geometric pattern that introduces a layer of complexity and texture. Nieuwenhuis masterfully balances contrasting elements. The rigid, architectural frame is softened by the fluid, curvilinear motifs of the wood carvings and the delicate weave of the fabric. The screen challenges conventional notions of domestic objects, elevating it to a work of art. Consider how the interplay between geometric and organic forms destabilizes traditional design categories. The ‘Fire Screen’ is more than a functional object; it embodies a fusion of aesthetics and ideologies.