Departure from Bishop Julian c. 1390

Curator: Look at this beautiful tempera and gouache on wood panel, “Departure from Bishop Julian,” by Martino di Bartolomeo, created around 1390. It resides here at the Städel Museum. Editor: The colors are unexpectedly muted, almost dreamlike, but there’s a vibrant gold leaf background that makes everything glow. There’s an undeniable peacefulness, but something feels bittersweet about this "departure". Curator: The scene depicts Saint Julian leaving the bishop. Consider that it embodies the aesthetic characteristics and interests of its patrons who were looking to convey narrative or ideas within their community. Editor: The composition seems purposefully formal and carefully balanced with almost staged groupings around the central figures, creating a dramatic interaction. I like the use of the architectural space. It makes one contemplate what constitutes ‘home.’ Curator: It does feel staged in a way, doesn’t it? You see, this kind of devotional panel provided wealthy families with an opportunity to showcase their commitment to civic responsibilities. Editor: It almost reads like a theatre backdrop, but a rather fascinating one. Does the golden background denote that we are seeing this drama through the gilded lens of memory or reverence? Curator: Perhaps both. This Italian Renaissance panel illustrates the intersections between public virtue and religious faith, solidifying patronage in Renaissance society. The piece invites viewers to reflect on these connections. Editor: I leave feeling the need to revisit those ideas and maybe look for a little gold leaf to remind me to stay grounded while I am also pursuing some elusive beauty. Curator: Yes, there's something compelling about how faith, patronage, and societal values are interlaced here that gives viewers an opportunity to contextualize a period where life and art existed in community with one another.