Twee gesluierde vrouwen by Claes Jansz. Visscher

Twee gesluierde vrouwen 1596 - 1630

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print, engraving

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pen drawing

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dutch-golden-age

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print

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pen illustration

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pen sketch

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figuration

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pen-ink sketch

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line

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genre-painting

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engraving

Dimensions height 73 mm, width 42 mm

Editor: This print, "Twee gesluierde vrouwen," or "Two Veiled Women," made by Claes Jansz. Visscher sometime between 1596 and 1630, intrigues me. The texture of the fabrics, created just through line work, is amazing! What strikes me is how little we actually see of the figures themselves. How do you interpret this work? Curator: The veiling, or concealment, is key. It’s not simply about literal coverings but about layers of meaning embedded in social identity and cultural memory. Notice how the drapery isn't just clothing; it speaks to status, perhaps piety, and even mystery. Editor: Mystery, yes! What's your take on why Visscher chose this specific type of "veil?" It’s very…enveloping. Curator: Precisely! Consider how veiling practices have varied across cultures and eras. Historically, the veil signified different things: protection, modesty, and even segregation. In this context, are they guarding themselves or presenting themselves in a culturally prescribed way? Editor: So it's not necessarily about hiding, but performing? Is the medium – engraving – important here? Curator: The printmaking process itself contributes. The act of replicating and disseminating the image speaks to the normalization of these cultural norms. It’s about making these identities and their symbols accessible to a wider audience, reinforcing their place in society. What symbols or memories does the image evoke for you? Editor: It prompts me to consider contemporary fashion. How even today clothing communicates layers of cultural and personal identity, shaping perception and perpetuating or challenging established narratives. Curator: Exactly! This image invites us to think critically about the symbols that surround us and how they carry cultural weight, linking us to the past in complex ways. It serves as a point of cultural memory and social dynamics still with us today. Editor: Thanks, I am definitely thinking of veiling and dress in an entirely different light now, how these choices make an argument!

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