Volume a moduli sfasati 1960

This is Dadamaino's *Volume a moduli sfasati*, an artwork of quiet repetition. It’s like she’s built a whole world out of tiny, rhythmic marks. The pale yellow against the cool, muted frame, it gives a sense of calm, a meditative space. Looking closer, you see the grid, the endless field of tiny gestures that make up the piece. It’s the kind of thing where the making is the meaning. Think Agnes Martin, but with a softer touch. The texture invites you in, makes you want to trace the patterns with your fingers. Each dot seems carefully placed, a testament to time and attention. This piece reminds me of other Italian artists from the same period, like Enrico Castellani. Both artists worked with repetition. They embraced simplicity, and they weren’t afraid to let the process of making be visible, almost celebrated, in the final work. Art, in the end, is an ongoing conversation.