Ruiters die stilhouden bij een herberg by Gerard ter (II) Borch

Ruiters die stilhouden bij een herberg c. 1633 - 1634

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drawing, pencil

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drawing

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light pencil work

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dutch-golden-age

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landscape

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figuration

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sketchwork

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pencil

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genre-painting

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realism

Dimensions height 148 mm, width 207 mm

Curator: This sketch, rendered in pencil, is by Gerard ter Borch II. It's titled "Ruiters die stilhouden bij een herberg," which translates to "Horsemen Halting at an Inn." The work is estimated to have been created around 1633 or 1634, during the Dutch Golden Age. Editor: My first thought? Rest. I feel that complete standstill we crave on a long journey, especially in that light pencil work... you know, almost shimmering under a hazy sky. There’s such stillness embedded in this moment of respite. Curator: It’s fascinating how ter Borch captures that moment of pause. Genre paintings during the Dutch Golden Age were booming. He focuses on everyday life. This sketch suggests a scene of riders interrupted on their journey, likely to refuel and hydrate. Editor: Precisely. Think about the relief the horses, the riders, must feel! All of the day-to-day happenings. I can almost feel the dry dust kicking up around them and hear the horses softly blowing as they settle. Curator: And even the building—a humble dwelling. Inns during this time were crucial social spaces where news and goods were exchanged. Editor: Yes, I picture the sharing of stories alongside warm ale. Do you ever wonder if these travelers had far to go? Were they returning home or venturing further into unknown territory? Curator: It’s hard to say, the Dutch landscape served as the backdrop to an incredibly transformative period in the country’s history. Trade, art, science were rapidly expanding. The artist provides very subtle details of his settings which were likely based on his local surroundings. Editor: That gives us an intimate perspective. I can close my eyes and almost join the travelers! It's this immediacy, this almost-there feeling that the pencil drawings can conjure up. Curator: A simple pencil, in the right hand, can do that, I suppose. With this one, ter Borch highlights the cultural and economic currents of the time, even in something that appears so simple on the surface. Editor: What do you see when you look at this drawing? Curator: I feel transported back to a place both distant and familiar through our shared humanity. That journey remains powerful.

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