Tafel, ovaal, met zes poten, staande op onderregels, die in gebeeldhouwde maskers eindigen c. 1900 - 1930

This oval table with six legs was made by Carel Adolph Lion Cachet. This piece isn't just about function; it's a study in contrasts. The dark, almost brooding wood, against the lighter bands on the surface makes you think about shadow and light, doesn’t it? I like to think about the artist's hand here, what kind of tools they used, how they coaxed the material into these shapes. The table legs are not just straight supports, they each end in sculpted masks which add a playful touch and makes you look closer. The table feels solid but it also has lightness. Like someone like Louise Nevelson, Cachet seemed to be pushing the boundaries of what a functional object could be, turning it into a sculptural experience. It reminds us that art and life aren't separate, but always informing each other.