Schepen verwoest tijdens een zeeslag by Pieter van den Berge

Schepen verwoest tijdens een zeeslag 1717 - 1732

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print, engraving

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baroque

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print

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landscape

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history-painting

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engraving

Dimensions: height 163 mm, width 194 mm

Copyright: Rijks Museum: Open Domain

Curator: Just look at this print! "Schepen verwoest tijdens een zeeslag," or "Ships Destroyed in a Sea Battle," created sometime between 1717 and 1732. It's an engraving, currently held here at the Rijksmuseum. The artist is Pieter van den Berge. Editor: Chaos. That’s my immediate reaction. It feels... violent, of course. And messy. A grand, awful mess. It is impressive to think this image of total warfare has been crafted out of the painstaking etching of lines. I want to dive into how they managed to capture all the depth! Curator: Right? The meticulous lines of the engraving create such a layered effect, even though the material reality is rather… minimal, even humble! The work here is remarkable. You can practically hear the cannons roaring! There are ships ablaze, others capsizing, lifeboats filled with survivors… It’s history rendered with intense drama. Editor: Yes! And, thinking materially, consider the copper plate, meticulously worked, acid-etched, each line a testament to hours of labor. Then multiplied across countless prints distributed widely. What stories did this image tell the people who encountered this, mass produced, in the early 1700's? Who got access to this violent tableau? It connects high art to… almost journalism, I guess. Curator: Almost, yes! Van den Berge is transporting us. When I see the wreckage, the floating debris, it reminds me that empires rise and fall – and that even in these destructive moments, human stories, desperate escapes, are being born. There's something profoundly moving about that, beyond the historical documentation aspect. It transcends simple representation. Editor: Definitely, and if we see this as almost reportage of its era, perhaps the chaos can be seen as a mirror of the materials that have crafted this narrative, etched lines which depict total war on water! Perhaps the labor embedded in it speaks to what we, even now, invest in images. Curator: Very well put! Editor: I appreciate how you contextualized my spontaneous impression with historical information, very helpful.

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