print, engraving
portrait
baroque
figuration
portrait drawing
history-painting
engraving
Dimensions height 143 mm, width 123 mm
Curator: What a tender, intimate depiction. It almost feels like a quiet scene, interrupted by the gaze of the child. Editor: This engraving, "Maria met Kind," was likely produced sometime between 1590 and 1640. It's part of the Rijksmuseum's collection and, although unsigned, the inscription says it was published by Johan Frisius, though the artist's credit has only "C.C." Curator: I'm drawn to the way Mary is presented here. Her gaze is downward, almost introspective. And she is modestly draped; there’s no opulent display here, which tempers her majesty and focuses the attention to the intimacy between her and the Christ Child. This approach to presentation might indicate a desire by its creator to highlight humanity. Editor: Indeed. Mary's figure anchors a network of established symbolism: divine motherhood. Throughout centuries, across many diverse cultures, holding a child signifies caring and unconditional love. She, as an icon, collapses layers of religious symbolism into a single figure, carrying weighty association within Western society, even for secular viewers. Curator: But the choice of rendering this image in print also bears considering. Prints made these images more widely accessible, shifting devotional practices outside the exclusive patronage networks of wealthy elites to reach broader audiences. The formal features-- Baroque’s flair for drama --become less the focal point than the widespread distribution of religious images at the time. Editor: The baroque dynamism that is still discernible through its more subtle graphic elements speaks volumes. Note, the use of lines, the sharp contrasts create a dramatic lighting, emphasizing the figures and highlighting the texture in a visually appealing, though somewhat understated, scene for that style. It reinforces both the humanness, and yet... also hints toward an otherworldly feeling in something that would be otherwise more down-to-earth. It almost suggests that both perspectives and concepts can co-exist within this single image. Curator: Looking at this print helps us to appreciate not only artistic skill but also the profound cultural forces shaping our visual world centuries later. Editor: It's remarkable how a seemingly simple image like this carries such rich and layered meanings that keep unfolding and reinterpreting in response to a shifting society.
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