photography
landscape
photography
geometric
realism
Dimensions: image: 24.4 × 24.5 cm (9 5/8 × 9 5/8 in.) sheet: 27.8 × 35.4 cm (10 15/16 × 13 15/16 in.)
Copyright: National Gallery of Art: CC0 1.0
Editor: This is "Pivot Agriculture, San Luis Valley, Colorado," a 1990 photograph by Emmet Gowin. The first thing that strikes me is how geometric it is; it's almost like crop circles. What do you make of it? Curator: Well, the aerial view itself signals a certain kind of relationship to the land, doesn't it? We're immediately distanced, placed in a position of observing the organization and manipulation of the landscape. Think about what it takes to create these circular fields using mechanized irrigation. What kind of labor is involved? Editor: It looks like intensive farming, requiring a lot of resources. Curator: Precisely. Gowin is not just capturing a scene; he's documenting a specific agricultural process dependent on specific materials: the metal of the irrigation system, the water pumped from the ground, the seeds, the fuel. This system transforms the land, turning it into a commodity. And, critically, what is missing? Where are the human figures? Editor: That’s true, there’s no human presence, but that kind of stresses this… almost mechanical aspect to it. How this scene shows our industrialized relationship with nature. Curator: Indeed. We're left with the impression of a system driven by production and consumption. Editor: I never really considered it that way, it's a different perspective. I suppose these circles represent food as commodity. Thanks, this has helped me understand Gowin's image in a totally different light! Curator: You're very welcome. Considering the material aspects really opens up new ways of seeing and thinking about art.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.