Fotoreproductie van een tekening, voorstellende de intocht van edelen in een stad before 1873
print, engraving
narrative-art
figuration
line
history-painting
engraving
realism
Dimensions height 136 mm, width 193 mm
Editor: Here we have an engraving from before 1873, residing in the Rijksmuseum. It's a photographic reproduction of a drawing depicting the entry of noblemen into a city. My first impression is one of organized chaos; all these figures milling about, caught in this incredibly detailed yet almost frenetic energy. What draws your eye in this piece? Curator: You know, that feeling of “organized chaos” is spot-on. I love the term frenetic! To me, it feels like a captured moment, frozen in time, a bustling slice of 19th-century life. Do you get a sense of theatricality about it? All these figures are almost on display. The city gate serves as a sort of proscenium arch, framing the spectacle. But who *are* all those people? The engraver – or rather, the original artist, whom we don't know – captures them with such loving care; you feel they had a tale to tell! What’s YOUR impression? Editor: Well, with it being labeled the entry of noblemen, I assumed most of those people were either them, or part of their retinue. Perhaps townspeople who came out to greet the nobles? Does it feel that that simple to you? Curator: I love the curiosity in your question! While history-telling has something very “real” and literal to it, don’t you find also that history *painting* like this lets imagination run riot? To me, the artist *might* have intended just a report, and not to explore our notions of what leadership and followership are? It certainly looks at questions about ‘power’ that feel so important today. I mean, how could we look at such images without wondering if these ‘noblemen’ really ARE noble… I wonder. I find myself feeling there are undertones, not just in the "official narrative" as told by society. Editor: Hmm, so it's more than just a snapshot. More like a staged production with lots of underlying messages. It is great food for thought; now I want to know all these nobemen's secrets! Curator: Exactly! Isn’t art wonderful that way? It poses so many questions. We can learn more from the act of questioning then perhaps we think when simply gazing at something. Thanks for a really fun few moments!
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