Untitled 1990

This figure was produced by Eugene Leroy using charcoal. Leroy pushes the material properties of charcoal. Rather than being a quick sketching medium, in his hands, charcoal becomes a vehicle for substantial, almost sculptural form. The grainy texture and powdery consistency of charcoal allowed Leroy to build layer upon layer, creating a dense and complex surface. Notice how the charcoal’s darkness and lightness create a dynamic contrast, adding depth and volume to the figure. The marks and strokes reveal the artist’s hand, making the artwork alive. Charcoal, a humble material derived from burnt organic matter, is intimately connected with the natural world. In Leroy’s hands, it transforms into a vessel for profound expression. By embracing the inherent qualities of materials and processes, Leroy challenges the traditional hierarchy between fine art and craft. This expanded view allows for a richer appreciation of the artist's vision.