Alchemy or the Useless Science 1958

Remedios Varo created this oil painting, "Alchemy or the Useless Science," a work that defies simple categorization. At first glance, it presents a hermetic scene of a monastic figure operating a strange apparatus. But let’s look at the cultural and institutional context. Varo was a Spanish-Mexican surrealist painter. Her movement emerged from the disillusionment after World War I, questioning established norms. As the title suggests, the painting critiques traditional scientific pursuits, aligning with surrealism's challenge to reason. Varo, working in Mexico, engaged with the country's rich history of indigenous knowledge and spiritualism, offering a counterpoint to Western rationalism. In essence, this artwork invites us to question the value systems of her contemporary Mexican society, its relationship to art, and to the intellectual class. Art historians delve into manifestos, personal letters, and contemporary reviews to understand the cultural forces shaping these works. Varo’s art reveals the importance of examining these contexts to appreciate the meaning and impact of art.