Insp.r Gen.l van de geneeskundige dienst 1835 - 1850

Editor: So, this is "Insp.r Gen.l van de geneeskundige dienst" by Albertus Verhoesen, dating from between 1835 and 1850. It’s currently housed here at the Rijksmuseum. It seems to be watercolour on paper, and my first thought is how strikingly two-dimensional it appears. What are your initial observations? Curator: The stark flatness is indeed one of its most compelling features. Observe how Verhoesen has eschewed traditional shading and perspective. Instead, the figure is defined by distinct, almost geometric shapes, particularly noticeable in the crisp delineation of the uniform. Note the interplay between the darker tones of the jacket and the brighter highlights of the trim. Editor: Yes, the uniform is eye-catching. The gold trim creates strong lines. Why this simplification of form? Curator: The emphasis here is on the construction of the image through line and colour, not on achieving a mimetic representation of reality. One could argue that it prefigures a move towards abstraction, albeit within the context of a representational image. Semiotically, each element – the hat, the buttons, the line of the trousers – contributes to the signified message of rank and authority. Editor: So, by simplifying the figure, Verhoesen directs our attention to these signifiers? The uniform as a symbol? Curator: Precisely. We can examine this further. Note the composition: the figure centered, isolated against the plain ground. The flatness pushes the figure to the foreground, forcing us to confront these details directly. Consider the lack of background detail. Editor: It is as though all that matters is this constructed image of authority. Curator: Exactly. The absence of atmospheric perspective strengthens the image as a constructed object rather than an illusion of reality. I am starting to reconsider some aspects I initially took for granted. How about you? Editor: This discussion changed my point of view from the initial cartoon-like quality to this idea of a conscious decision by the artist, and it makes me want to see this image again with this formalist perspective.