Paperweight by Compagnie de Saint Louis

Paperweight c. 1845 - 1860

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paper, glass

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paper

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glass

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geometric

Dimensions Diam. 8 cm (3 1/8 in.)

Curator: What a delightful find! We're looking at a glass paperweight, likely crafted by the Compagnie de Saint Louis sometime between 1845 and 1860. It’s currently held at The Art Institute of Chicago. Editor: It’s so quaint! At first glance, I’m struck by the enclosed and somewhat delicate nature of the piece. It feels very much like capturing a fleeting moment of beauty and holding it still, preserved forever. Curator: Yes, precisely! The historical context is important here. The rise of paperweights as collectable objects occurred alongside industrial glassmaking advancements. They became fashionable items, reflecting bourgeois tastes and consumer culture in the mid-19th century. The technique allowed for the mass production, and subsequent mass consumption, of luxury items. Editor: And I'm intrigued by the visual vocabulary! The central flower, a burst of red, is immediately engaging. Then your eye moves around to the circlet of millefiori that frames it all. Each small circle containing an intricate tiny bloom of its own! Curator: You're observing classical symbols that offered status in this period. The glass making profession in this time was largely occupied by male figures. A flower suggests something of the domestic in contrast, a sphere generally refers to the larger global. It reflects how society compartmentalized spaces for the genders at the time. Editor: Absolutely. The overall composition carries associations of gardens, which is often symbolically equated to a personal domain, doesn’t it? It's more than decorative; it's psychologically resonant with themes of nature subdued and beauty contained. Curator: Good point, as decorative as they are, items of beauty such as these carry significant weight. Museums such as this have preserved its imagery to remind viewers today of that complex legacy. Editor: Reflecting upon that symbolism deepens my appreciation for the artists ability to not just shape glass but emotion. A conversation through objects with echoes of history. Curator: Indeed, thank you, looking at this once common item now reveals it held stories within the materials it had.

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