Copyright: Rijks Museum: Open Domain
Jozef Israëls created this drawing of a seated nude boy and a landscape with houses and trees using graphite on paper. The composition is sparse, split between the human figure and the suggestion of a landscape, each rendered with a similar level of detail. Israëls’s choice of medium and technique is key here. The sketch is made up of lines, capturing fleeting moments of light and shadow. The absence of color and the rawness of the pencil strokes allow us to focus on the basic forms and shapes. The human figures and the landscape each have qualities of mass and volume through the layering of light and shadow. Israëls destabilizes traditional figure representation by situating his subjects in a state of undress and in a rural environment. This challenges the strict categories of portraiture by engaging with broader concerns of identity, space, and perception. By breaking down conventional artistic structures, Israëls invites viewers to interpret the scene through their own experiences and cultural backgrounds.
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