Decadrachm of Syracuse, signed by Kimon, from the Naro Hoard, 1925 c. 405

Editor: We're looking at a Decadrachm of Syracuse, die cut by Kimon. It's amazing how much detail they fit on such a small coin. What strikes you most about this piece? Curator: The female figure's representation challenges typical patriarchal norms. Consider the power dynamics embedded in coinage; who gets represented, and why? This coin suggests a unique negotiation of power and identity. How does this imagery relate to the lived experiences of women in Syracuse? Editor: That’s something I hadn't considered. It changes my view of the coin completely! Curator: Right? It pushes us to see beyond aesthetics and explore the socio-political context.