Leaf of a Projected Edition of Froissart c. 19th century

Curator: This is a leaf from a projected edition of Froissart, created by William Morris. Look at the intricate borders and the typeface! Editor: My initial reaction is one of overwhelming detail. It’s densely packed, yet there is a rhythmic quality to the design. Curator: The materiality here is key. Morris sought to revive the craftsmanship of illuminated manuscripts, rejecting industrial printing. He controlled every stage. Editor: Yes, the structure of the page itself, the relationship between text and ornamentation. The black ink is offset beautifully by the red rubrics. It feels balanced. Curator: Consider the social context. Morris wanted to make beautiful books accessible to more people. Editor: It’s a testament to how form can be both functional and expressive. It gives new meaning to the text. Curator: Absolutely, the labor and the social ideals are fused into the work. Editor: Indeed. And the visual experience is profoundly rewarding.