The Folies-Bergère dance group by Felix Nadar

The Folies-Bergère dance group 

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photography, gelatin-silver-print

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portrait

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colorless

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black and white photography

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cool tone monochrome

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impressionism

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black and white format

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monochrome colours

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b w

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photography

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black and white theme

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group-portraits

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black and white

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gelatin-silver-print

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monochrome photography

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monochrome

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realism

Copyright: Public domain

Editor: This photograph titled "The Folies-Bergère dance group" captured by Félix Nadar shows four performers in costume against what appears to be a painted backdrop. I am immediately struck by the theatricality, the sort of staged artificiality, and how it feels…well, very much *of* a particular time and place. How do we contextualize an image like this historically? Curator: That’s a keen observation. While undated, its stylistic elements allow some precision. Nadar was active during a transformative period in photography's public role, particularly its relationship to popular entertainment. Consider the Folies-Bergère itself – what role did it play in Parisian society at the time? These popular performance venues provided stages for elaborate spectacles that were often at the leading edge of debates around gender, class, and modern morality. How does that understanding shape your reading of this group portrait? Editor: It makes me think about how the performance blurred the lines between reality and fantasy for its audiences. Was the photographer implicated in shaping a sort of manufactured persona for the performers? Curator: Precisely. Nadar was savvy about constructing public images. How do the subjects presented in the work seem to collude or react to this sort of manipulation? In portraiture, we often investigate what's being projected versus what might actually *be*. Here, you can explore these notions not with an individual, but an organized group within a broader institution! Editor: I see that now. It reframes the image entirely, not just a portrait, but a document embedded in layers of social and cultural meanings. I now consider the political aspects involved in portraiture and social representation of artists in Parisian theaters at that time. Thank you for your valuable insights! Curator: Indeed! Photography and places such as the Folies-Bergère acted as active sites in creating collective ideas, cultural fantasies and identity throughout a quickly developing period. Both played major roles, and learning how they work together can alter how one examines these works.

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