The Isle of Lesbos 1970

Editor: Here we have William Roberts' "The Isle of Lesbos," held in the Tate. I’m struck by how stylized and almost dreamlike it feels. What do you make of it? Curator: Dreamlike is a lovely way to put it. I see Roberts playing with classical themes – the female nude, the idyllic landscape. It almost feels like a memory of a classical painting, doesn’t it? But with a distinctly modern twist. Editor: I see what you mean. What about those thick, looping cords they're holding? What do you think they symbolize? Curator: Ah, the million-dollar question! Could be anything from playful decorations to restraints, perhaps hinting at the complexities of female relationships. I think Roberts wants us to ponder that ambiguity. It’s the mystery that makes it sing, don’t you think? Editor: Definitely something to think about. Thanks for sharing your insight! Curator: My pleasure! It’s always fun to unravel a little mystery together.