Study of "Night's" Leg, after Michelangelo; verso: Study of "Night," after Michelangelo c. 19th century

Curator: This drawing by Edward Burne-Jones captures a leg, specifically "Night's" leg, after Michelangelo. Editor: It is striking how Burne-Jones conveys volume with such delicate, almost pointillist marks. Curator: Indeed. The cross-hatching and stippling build form, showcasing Burne-Jones' deep engagement with classical anatomy. This study reflects the Victorian fascination with the Renaissance masters. Editor: I'd argue it is also about power and the male gaze prevalent at the time. Consider the art historical context – how did Victorian society view depictions of the human form? Curator: An intriguing perspective. The reddish chalk adds a warmth, yet the precise rendering evokes a cool, intellectual exercise. Editor: It is a testament to the enduring influence of Renaissance ideals on later artistic movements. Curator: Precisely. This work offers a glimpse into art historical dialogue across centuries. Editor: And leaves me to wonder about the politics of appropriation, even in the context of artistic study.