Studieblad met twee naakte vrouwen 1904

This drawing, made by Henri Fantin-Latour, probably with graphite or charcoal on paper, is all about capturing the human form. I can imagine Fantin-Latour in his studio, moving back and forth, trying to capture the essence of these figures with just a few lines. See how the figures emerge from the paper with a kind of tentative confidence. The smudging and shading create a sense of depth and volume, while the delicate lines suggest a fleeting moment. I think he was trying to understand the relationship between the body and the space it occupies. It reminds me of other artists, like Degas, who were also obsessed with capturing the human form in motion. Artists are always looking at each other, borrowing ideas, and pushing the boundaries of what’s possible. Fantin-Latour offers a unique perspective on the female nude. It's about inquiry and process, a visual record of the artist’s exploration.